With this image, I aimed to capture a unique perspective of Oregon’s most popular (and tallest) waterfall. I spent a few days exploring the Washington side of the Columbia River, specifically searching for a vantage point that would make the
The first shot I ever took with my Fuji G617 camera, a special film camera that shoots 3×1 panoramas on 120 film. Like the XPan’s bigger brother. Half birthday present, half impulse purchase, this camera is largely responsible for morphing
Revisiting some of my favorite older photos while filling in the back catalog of my blog here gives me such a peculiar feeling. I want to delve into the specifics of why I took the shots, but I struggle to
I love many aspects of this photo. The mysterious way the trees disappear into the fog and the almost unnatural way the frost clings to the branches captivate me. I’ve been eager to witness similar conditions again, as I now
I’ve always had a fascination with silhouettes—specifically, near-silhouettes where there’s just enough shadow detail to see, but not enough to immediately notice.
One evening, while wasting time around San Francisco before dinner, I wandered through the Museum of Modern Art
This is one of those photos I still like, even though it’s clear I wasn’t making deliberate choices when I took it. It’s funny how, as you grow as an artist, your older work evokes different feelings.
I shot it
Copyright © Alexander Fattal, 2023
